SMITHBITS RADIO MAGAZINE

Wednesday, January 25, 2017

Stacey Dash



Dear White People. WE Did This.

Taking Bullets for Trump -- Ah NOT!

WEST SACRAMENTO CA (IFS) -- This writer is not a Secret Service Agent, I'm with Her (Special Agent Kerry O'Grady).  Their jobs have no glory. . . and they are reminded daily of the life and times of President John F. Kennedy.  He never dies. Ever. - KHS
A Secret Service agent is being slammed online after suggesting on Facebook that she would not take a bullet for Donald Trump.
Kerry O’Grady, a special agent in charge at the agency’s Denver office, wrote an “I’m with Her” message to followers in October, according to screenshots taken by the Washington Examiner.
The Secret Service employee says she has worked 23 years for the government, but that she has changed and “would take jail time over a bullet or an endorsement for what I believe to be disaster to this country.”
Her post, which reportedly came shortly after revelations that Trump spoke about grabbing women “by the p---y,” ended by saying “Hatch Act be damned.”
The Hatch Act, passed in 1939, restricts the political activities of those in executive branch agencies such as the Secret Service to promote workplace fairness and nonpartisanship.
Secret Service spokesman Joe Casey told the Daily News that the agency is looking into the posts, and that O’Grady works for the agency in Denver.
Conservative social media users began calling for the agent to be fired.

Trump World



Sunday, January 22, 2017

Kellyanne Conway - Call her a Nazi is an insult to Nazis



WEST SACRAMENTO CA (IFS) --Below is just a few comments posted at youtube.com on the Kellyanne Conway news shows. It was virtually the same spin on all of the Sunday shows, on the issues of why didn't the press secretary go after over issues.

This proves that President Trump cares nothing about the news, just on the size of the audience, just like in television and the Nielsen Ratings scale. We will spin a story that we like and to heck with the American People or any other people anywhere else. These tweets that the president makes on individuals and things that don't means a "hill of beans" to anyone else but his bully pulpit.

This president's speech did not even mention President Obama. He totally dismissed him as a non entity. Did not mention his name once. Did not even acknowledge that he was even in the audience. Did not even thank him for his service to the country. Nothing. This only proves that the president is still on the "birther" trail and only he is the savior of the United States. - KHS

". . . All she does is dodge everything and make speeches about how amazing our new dear leader is. To call her a Nazi is an insult to Nazis. "

". . .Your hypocrisy makes me laugh."
". . .Trump called the CIA Nazis a week ago then bragged about his popularity in front of a CIA memorial for fallen CIA agents over the weekend. You voted for an egomaniac. Trump doesn't care about you or your family or your stupid factory job."
". . .Trump only cares about Trump and making Trump look good. That's it. That's all Conway is paid to do. She spins every conversation to make Trump look good and make everyone else look bad. Her famous "alternative facts" comment proves that explicitly.

"Alternative facts" are LIES.

". . .I'm just an average guy from London UK 🇬🇧 and from where I stand with average intelligence, you yanks are walking right into a cluster fuck of such a grand scale, and what is worse your cheering him on!!!"

". . .For Donald Trump, size matters -- most recently, when it comes to discussion of his inaugural crowds. But not when it comes to feuds: the president and top aides demonstrated again this weekend that no fight is too small, no spat too insignificant; they spent the first full day of his term focused publicly not on policy pushes, but on re-litigating the number of people who'd come in person to watch him take the oath of office -- and using it as one of several avenues of attack on the press."

Friday, January 13, 2017

Did President elect Donald Trump play the Hostile Merger Take Over Card of the RNC?


Joy Behar Baits Joe Biden to Bash Trump on The View


Friday’s special guest on ABC’s The View was Vice President Joe Biden. Like ABC does with every Democrat guest, instead of asking critical questions, the panel split half their commentary into praising Biden and the other half into baiting him to slam Donald Trump and his administration. Host Joy Behar was the most frequent instigator though fellow host Whoopi Goldberg tried three times to get Biden to agree that Trump and Pence were not ready to “empathize” with the American people.
Right off the bat Behar invited Biden to bash Trump with this leading question:
JOY BEHAR: As you leave the office, the country, they say, is very much divided. People are worried about a Trump administration. I'm terrified that he knows nothing and is going to lead us into war. Now, you have called him thoroughly unqualified. What makes you the most uneasy, (and remember, it's only an hour show?)
Biden answered Behar’s question by defending his earlier statement about Trump being unqualified, saying that he only meant Trump didn’t have a background in foreign policy. Biden wisely didn’t take the bait on this one to bash Trump.
A little later on Behar again tried to get Biden to say something negative about Trump, asking, “When a guy tweets in the middle of the night continuously, does he understand the gravity of what he's doing?” When Biden stayed silent, Whoopi decided to answer for him.
WHOOPI: Clearly not!
BEHAR: Yeah.
WHOOPI: Because he keeps doing it.
BEHAR:  It's a continuous kind of like every minute he's tweeting.
Finally, Biden remarked gravely, “It's not healthy.”

Tuesday, August 30, 2016

What Real Radio was like in 1966 -- Thank You Barbara Perez from Rosamond California

WEST SACRAMENTO CA (IFS) -- It all started with what you hear on the radio station locally  is just what is playing across the United States, as Barbara Perez (of Rosamond California),  began to explain to this writer, that the music charts are very different all across the United States.  It was during those days when radio controlled the airwaves and FM Station was just getting started. The Mamas & the Papas, "Monday, Monday" was the Number One record on the charts with the Monkees very close behind on this particular weekend before school was going to be out.

With the Texas trip with the family just one year early, I did manage to tie it all together.  In every little town, for over two thousand miles, it was just the same top forty records that we herd.  This was a major shift in the record business in those days, as the British Music Invasion continued day after day month after month, year after year forever.

Our small library did not subscript to Billboard Magazine, Cash Box Magazine, Juke Box Magazine, or even Bill Gavin.  During those days, if you landed on Bill Gavin's playlist, you just hit a home run.

It was Perez earlier in the Seventh Grade that turned my head about "listening" to music, as our English teach put on a piece by Vivaldi and asked the students, including me to write about what the music was speaking to each one of us.  I swear it, Barbara wrote over to pages on both sides of the paper.  I on the other hand just managed to get one paragraph out of the music.
  
The yellow background indicates the #1 song on Billboard's 1966 Year-End Chart of Pop Singles.

Issue Date Song Artist(s) Reference

January 1 "The Sound of Silence" Simon & Garfunkel
January 8 "We Can Work It Out" The Beatles
January 15
January 22 "The Sound of Silence" Simon & Garfunkel
January 29 "We Can Work It Out" The Beatles
February 5 "My Love" Petula Clark
February 12
February 19 "Lightnin' Strikes" Lou Christie
February 26 "These Boots Are Made for Walkin'" Nancy Sinatra
March 5 "Ballad of the Green Berets" SSgt Barry Sadler
March 12
March 19
March 26
April 2
April 9 "(You're My) Soul and Inspiration" The Righteous Brothers
April 16
April 23
April 30 "Good Lovin'" The Young Rascals
May 7 "Monday, Monday" The Mamas & the Papas
May 14
May 21
May 28 "When a Man Loves a Woman" Percy Sledge
June 4
June 11 "Paint It Black" The Rolling Stones
June 18
June 25 "Paperback Writer" The Beatles
July 2 "Strangers in the Night" Frank Sinatra
July 9 "Paperback Writer" The Beatles
July 16 "Hanky Panky" Tommy James and the Shondells
July 23
July 30 "Wild Thing" The Troggs
August 6
August 13 "Summer in the City" The Lovin' Spoonful
August 20
August 27
September 3 "Sunshine Superman" Donovan
September 10 "You Can't Hurry Love" The Supremes
September 17
September 24 "Cherish" The Association
October 1
October 8
October 15 "Reach Out I'll Be There" Four Tops
October 22
October 29 "96 Tears" ? and the Mysterians
November 5 "Last Train to Clarksville" The Monkees
November 12 "Poor Side of Town" Johnny Rivers
November 19 "You Keep Me Hangin' On" The Supremes
November 26
December 3 "Winchester Cathedral" The New Vaudeville Band
December 10 "Good Vibrations" The Beach Boys
December 17 "Winchester Cathedral" The New Vaudeville Band
December 24
December 31 "I'm a Believer" The Monkees

One thing this writer remembers is that Peter Paul and Mary's "Puff The Magic Dragon" did not play much in Falls County Texas, City of Marlin in 1966.  But Percy Sledge did alot, along with BB King, Bobby Blue Bland, KoKo Taylor, Ernestine Anderson and Lee Rogers among many artists of those days.

With my first years in radio, one of my jobs was to compile the best songs that all of the kids in our local high schools and college was listening too.  It was nothing like the radio.

Early songs were like Jimi Hendrix, Led Zeppelin, Steppenwolf, Captain Beefheart, The Doors and HMS Bounty in Lancaster California in those days. So now you know who was on our first lists top 50 songs of Alternative Music Artists in those days. - KHS  

Friday, August 19, 2016

Surprise! Son builds parents their dream cars, bringing them to tears.

The Essential Features Of A Hit Record

The Essential Features Of A Hit Record

We have all heard those hit songs that can be considered ‘timeless classics’.
Whether it’s a hip hop track, a rock classic or an 80’s power ballad, these songs share some essential features that ensure they will be on the airwaves for years to come. Obviously there is not one hard and fast rule for this as every song is different, but here is a list of features that many of these hit records share.
A ‘catchy’ song
Starting with the obvious, a hit record must be a great song. Above all the melody must be strong, as this is what a listener focuses on and this should be accompanied by some great lyrics and a good groove. You can apply the best production techniques possible, but if the song is weak then the record will sink without a trace!
A strong vocal
Having a great vocal is a real asset to any record. If you have a quality song and you have a strong vocalist to sing the melody, then this can be the golden ticket to creating a hit record. A great vocal does not necessarily need to be technically proficient, but more to do with how a singer can successfully interpret the emotion in the song i.e. how they can convey the message in the lyrics.
A creative arrangement
After the song and the vocal, you need to ensure you have a strong arrangement. This involves using the right structure and ensuring each section of the music is interesting for the listener. This can be achieved by adding extra instruments, adding a counter melody, changing the drum pattern, or changing the key etc. Have a listen to some hit songs, and pay attention to the subtle differences between each section. How is verse 2 different to verse 1? How is the last chorus different to the first?
An accomplished performance
You may have the heard the crude expression “You can’t goldplate a turd” and this definitely applies to creating a hit record. A track must sound like there is ‘life’ in the performance and no amount of editing in the studio, fiddling with EQ’s, compression or reverb can replicate this. It can be hard to put your finger on it at times, which is all the more frustrating, but sometimes one take just sounds better than another. If you have musicians who put there all into a performance and play with real emotion and intensity, then the production phase becomes far easier!
A well produced track
Although there are examples of hit songs which don’t technically sound very good, generally the really big and timeless records do sound excellent. A well engineered record does not guarantee it will be a smash, especially if the song, vocal, arrangement and performance are not up to scratch, but it can add an extra dimension to the overall sound, if the EQ’s are well balanced and the right amount of reverb and compression is applied.
The timeless factor
Despite having all the previous factors in place, if the track sounds like the last trend, and the musicians or band members look like it too, then the record might not take off as you would like. Having said that, a ‘retro’ look and sound to a band can work out really well if you go back two or more trends.
Are all the above factors essential for every hit song?
Well, in short, no.
There will always be some songs which become hit records and cannot be explained. You will find some songs with weak vocals and melodies which take the charts by storm.
However, on most of the really big hits, you will find they contain the majority, if not all, of the factors in this article. Songs like “Merry Christmas Everybody” by Slade will be heard every December in shopping malls and on the radio. Other hits like “Billie Jean” by Michael Jackson and “Imagine” by John Lennon will be played all year round for many years to come.
—————
Visit Martyn’s website http://make-music.net

Sunday, May 08, 2016

Sandra Dee - The Queen of the 1950's Teen Movies





Date of Birth23 April 1942, Bayonne, New Jersey, USA
Date of Death20 February 2005, Thousand Oaks, California, USA  (kidney disease)
Birth NameAlexandra Cymboliak Zuck
NicknamesSandy
The Queen of Teens
Sandush
Gidget
Height5' 4" (1.63 m)

Mini Bio (1)

Sandra Dee was born Alexandria Zuck on April 23, 1942 in Bayonne, New Jersey, to Mary (Cymboliak) and John Zuck. She was of Carpatho-Rusyn descent. Her mother envisioned a show business career for her daughter and would often lie about her age in order to get Sandy where she wanted to go. For example, her mother enrolled her in school early so she could have a head start. Sandy was only four years old when she entered the second grade. Sandra was an extremely pretty young lady, which enabled her to get into modeling. In fact, she was already very successful at her craft by the time she was 12 years old. This in turn led to television commercials for local companies, an added benefit for the young model.

Through her mother's prodding and the talent scouts, Sandra was signed to do a movie when she was 14 called Until They Sail (1957), released in 1957. While the film didn't exactly top the charts, it would lay the foundation for Sandra's career. The new young actress was then signed to two more films for 1958, The Reluctant Debutante (1958) and The Restless Years (1958), the latter with a young actor, John Saxon. In 1959, Sandra appeared in five productions with Gidget (1959) and A Summer Place (1959) being the two most popular. Sandra was 17 years old and becoming the heartthrob of teenage boys all across America. In 1960, Sandra appeared in only one film, Portrait in Black (1960), but is remembered by her for something else. She married teen idolBobby Darin in December of that year. It may have sunk a few teen boys' hearts, but most still were enamored of her. Her work, once again, took off. The 1961 releases were Come September (1961), Romanoff and Juliet (1961), and as Tammy Tyree inTammy Tell Me True (1961).

Sandra had replaced the ever-popular Debbie Reynolds in the "Tammy" series, but the film and its 1963 sequel, Tammy and the Doctor (1963), didn't do all that well at the box-office. The films were now slowing for Sandra. The last few that she made were I'd Rather Be Rich (1964), That Funny Feeling (1965), A Man Could Get Killed (1966),Doctor, You've Got to Be Kidding! (1967), and Rosie! (1967). By 1967, her marriage to Darin ended and so did her film career. There was little call for a teenage movie star to play daughters and such, when everyone knew that she was a divorcée. Plus, the face of movies had changed and sugary stories were not the ones that people wanted to see. Sandra did nail down the part of "Nancy Wagner" in 1970's The Dunwich Horror (1970).

In the 1970s, Dee made a few appearances in made-for-television movies, but it was the film Grease (1978) that made her famous to a new generation. While she was not in the film, one of the popular songs was "Look At Me, I'm Sandra Dee".

Sandra's last silver screen role was in Lost (1983). She died of kidney complications on February 20, 2005.


Spouse (1)

Bobby Darin(1 December 1960 - 7 March 1967) (divorced) (1 child)

Trade Mark (1)

Frequent portrayal of wholesome ingénue roles

Trivia (18)

Gave birth to her only child at age 19, a son Dodd Mitchell Cossotto (aka Dodd Darin) on December 16, 1961. Child's father was her ex-husband, Bobby Darin.
By 1965, she was the last major star still under an exclusive contract. Was Universal Studios last actress under contract.
Made her modeling debut in Girl Scouts magazine.
After her once-hot career fell apart in the 1970s, she fell victim to anorexia, alcoholism and depression. To the delight of her fans, she resurfaced briefly after two decades of seclusion and was warmly embraced at Beverly Hills Canon Theatre in a stage production of "Love Letters" with her The Restless Years (1958) co-star John Saxon.
Had suffered from anorexia for most of her life.
Was diagnosed with throat cancer and kidney failure in 2000.
Had two granddaughters: Alexa and Olivia Darin (daughters of Sandra's son Dodd Darinand his wife Audrey Tannenbaum).
One of the most successful teenage movie stars of the 20th century, Dee was listed on the Quigley Publications Top Ten Money-Making Stars poll four years in a row, from 1960 through 1963, achieving her highest ranking of #6 in 1961.
Is immortalized in the popular song "Look at Me, I'm Sandra Dee" from the movieGrease (1978). The song mocked her squeaky-clean image but Dee reportedly said in a statement that she did not mind, and always had a big laugh about it.
She received renewed attention after the release of the movie Beyond the Sea (2004), the biopic about her late husband Bobby Darin that recalled and detailed their stormy, headline marriage. Despite its painful aspects, she reportedly approved of the project and gave it her blessing.
Universal Studios concocted the name 'Sandra Dee' for her by shortening her first name and by using her stepfather's surname initial "D" to sign vouchers.
Is portrayed by Kate Bosworth in Beyond the Sea (2004)
Attended and graduated from Universal High School in Los Angeles, California in June 1958.
Biography in: "The Scribner Encyclopedia of American Lives". Volume 7, 2003-2005, pages 135-136. Farmington Hills, MI: Thomson Gale, 2007.
Had appeared with John Saxon in three films: The Restless Years (1958), The Reluctant Debutante (1958) and Portrait in Black (1960).
Had appeared with then-husband Bobby Darin in three films: Come September (1961),If a Man Answers (1962) and That Funny Feeling (1965).
Sandra Dee passed away on February 20, 2005, two months away from what would have been her 63rd birthday on April 23.
Following her death, she was interred at Forest Lawn Memorial Park (Hollywood Hills) in Los Angeles, California.

Personal Quotes (6)

I think male nudity is wonderful.
I began telling stories as a volunteer in my daughters' school. But I grew up hearing stories from Cuban and Southern storytellers, and I learned a great deal by just being quiet and listening.
Me, I'm good at nothing but walking on the set with a pretty dress.
I don't know anything about making a passionate love story, even if it's appealing for an audience to see a husband and wife make love on the screen.
Listen to great storytellers; slowly, you will learn about voice, timing, tension, structure, climax - all the things you need to tell stories that will capture the imagination of your audience.

There are constant cycles in history. There is loss, but it is always followed by regeneration. The tales of our elders who remember such cycles are very important to us now.

The Wild and the Innocent Western (1959) Audie Murphy, Joanne Dru & Gilbert Roland

Charming tale of mountaineer-trapper Murphy's first taste "big city" life with young, sweet Sandra Dee in tow. She flees her family, which tried to trade her for some of Murphy's beaver pelts, and tags along with the reluctant Murphy. They get into all manner of trouble in town, and Murphy has to shoot the sheriff to rescue Dee from her job as a dancehall girl.
- Written by <rita.richardson@arch2.nara.gov>

Friday, May 06, 2016

Helen Mirren: TRUMBO

Trumbo: Helen Mirren Behind the Scenes Movie Interview

Pamela Anderson visits Tent City Jail

Pam Anderson Defends Former Friendliness With Trump - ' I Just Popped Ou...

Wife of Democrat James Carville is turning heads with announcement she’s now switching parties

Mary Matalin, the wife of prominent loudmouth liberal political commentator James Carville, has switched her political party.
Matalin has long been a Republican, which made for a pronounced contrast from her husband, but since Donald Trump became the party’s presumptive nominee, she switched her affiliation to Libertarian.
However, she said, she is not switching because of Trump.
“I’m a never Hillary and I’m a provisional Trump,” she told Bloomberg Politics.


Read more: http://www.bizpacreview.com/2016/05/06/wife-of-democrat-james-carville-is-turning-heads-with-announcement-shes-now-switching-parties-337154#ixzz47uuWbxaC

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